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Antonio Berni, Juanito ciruja (Juanito the Scavenger), 1978. Oil, bonded fabrics, tin cans, papier mâché, burlap, canvas shoes, rubber, plastic, metals, wire, string, nails and staples on woods, 63 in. x 41 5/sixteen in.

Antonio Berni, Juanito con la moto, c. 1972. oil, wood, fabric, shoe, junk, plastic containers, metal, 7 ane/8 x 8 1/4 in. (18.1 x 21 cm.)

Antonio Berni, The Night (La Noche), 1972. Xilo-collage relief, 29 1/2 ten 230 three/8 in. (74.nine x 58.5 cm.)

Antonio Berni, The Embrace (El abrazo), c. 1970. Xilo-collage relief, 37 1/2 x 22 1/8 in. (95.3 x 56.2 cm.)

Antonio Berni, Ramona and the Boxer (Ramona y el boxeador), 1967. Xilo-collage relief, 23 one/4 x 26 3/four in. (59.1 x 68 cm.)

Antonio Berni, Ramona the Dancer (Ramona bailarina), 1966. Xilo-collage relief, 21 i/4 ten 13 3/4 in. (54 x 35 cm.)

Antonio Berni, The religious Greek (El religioso griego), c. 1965. Xilo-collage relief, 38 ane/2 x 24 vii/8 in. (97.8 x 63.two cm.)

Antonio Berni, Ramona in a bikini (Ramona en bikini), 1964. Xilo-collage relief, 17 3/4 x 124  in. (45.1 x 31.5 cm.)

Antonio Berni. El coronel, amigo de Ramona (Ramona's Colonel Friend) Ed. 2/x, 1963-1964. Xylo-collage and relief on paper. 39 three/8 x 25 3/8 in. (100 x 64.4 cm.)

Antonio Berni, Ramona Lifting Weights (Ramona levatando pesas), 1963. Xilo-collage , 20  ten 19 5/viii in. (50.viii x 49.eight cm.)

Antonio Berni, Ramona Costurera, 1963. Xylo-collage and relief on paper, 58 3/4 10 24 3/eight in. (149.ii ten 61.8 cm.)

Antonio Berni, Juanito bañándose entre latas (Juanito Bathing among Tin Cans), 1963. Oil, forest, metals including containers, lids, and gears; industrial trash, plastic buttons, wheat stalks, photographic slides, nails and staples on wood, 59 13/16 in. x 82 eleven/16 in.

Antonio Berni, Juanito Fishing (Juanito pescando), 1962. Xilo-collage and stenciled colors, 7 v/eight 10 5 three/4 in. (nineteen.4 x 14.5 cm.)

Antonio Berni, Juanito Bathing (Juanito bañándose), 1961. Xilo-collage and stenciled colors, 6 3/8 x four 5/8 in. (16.2 10 11.7 cm.)

Antonio Berni, The Taylor'due south House (La Casa del Sastre), 1958. oil, paper, fabric and lace on wood, 8 ten 5 7/8 in. (20.3 ten 14.viii cm.)

ANTONIO BERNI(b. 1905, Argentina)

Muralist, sculptor, painter, and printmaker Antonio Berni showed artistic talent from an early age. The youngest of 3 children to an Italian immigrant family in Rosario, Argentina, Berni took his first drawing and painting classes in 1916, at Centre Catalá de Rosario. By the time he was 15, he was exhibiting his piece of work in Rosario and Buenos Aires. Berni moved to Europe in 1925 and joined the Grupo de Paris, a group of Argentine artists and writers living abroad. In Paris, Berni studied with André Lhote and Othon Friesz, and he befriended members of the Surrealist movement. He as well studied printmaking for the first time, working with artist and poet Max Jacob; the medium would get central to his aesthetic and political concerns. In 1930, he married sculptor and political activist Paule Cazenave, and they returned to Rosario soon afterward.

Upon his render to Rosario, Berni showed his Surrealist-inspired works at Amigos del Arte. He joined the Equipo Poligráfico Ejecutor founded by David Alfaro Siqueiros in 1933, and worked with Siqueiros, Lineo Spilimbergo, Juan Carlos Castagnino, and Enrique Lázaro to complete a private landscape committee, Ejercicio plástico. Berni was critical, though, of Siqueiros's proposition for a public mural move in Argentina, and he believed that printmaking offered a more accessible forum for a proletarian politics. Berni founded the Mutualidad de Artistas y Estudiantes Plásticos de Rosario (Fine art Students Union of Rosario), a school and impress workshop that offered him a platform to develop his ideas about New Realism, a politically and socially committed art that Berni described every bit a new humanism.

In the 1950s, Berni began traveling to the rural communities in the northern province of Santiago del Estero, where he made large-calibration paintings that dealt with labor weather and migration in the impoverished region. During this time, he also began his narrative collage series based on the life of a fictional character he named Juanito Laguna; in 1963 he began his Ramona Montiel series. Between 1955 and 1958 his work was exhibited in Paris, Berlin, Bucharest and Moscow, and in 1962, he won the k prize for engraving and drawing at the Venice Biennial. In the 1960s and 1970s, working in Buenos Aires and Paris, Berni fabricated paintings, collages, and engravings, besides as objects, installations, theater sets, and happenings. In a 1965 retrospective exhibition of his work at the Instituto Torcuato di Tella in Buenos Aires, Berni debuted his sculptures of monsters; these objects would influence a generation of Argentinean painters, including members of the Otra Figuración move, Jorge de la Vega and Luis Felipe Noé.

"One cold, cloudy afternoon, while I was wandering through Juanito's miserable boondocks, a radical change occurred in my view of reality and its estimation… it came from the discovery, on the unpaved streets and in the empty lots, of scattered, discarded materials that made upwards Juanito Laguna'southward true surroundings: scrap wood, empty bottles, chip iron, cardboard boxes, sheet metallic, etc…. Kickoff that twenty-four hour period I bought fewer and fewer bottles of paint…"

2016	Antonio Berni. Revelaciones sobre papel. 1922-1981. - Museo de Arte Moderno de Buenos Aires (MAMBA), Buenos Aires
2014	Antonio Berni - Juanito y Ramona - MALBA Colección Costantini - Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires
	Antonio Berni - Juanito and Ramona - Phoenix Art Museum, Phoenix, AZ
2013	Antonio Berni: Juanito and Ramona - MFAH - Museum of Fine Arts Houston, Houston, TX
	Antonio Berni: Juanito and Ramona - MFAH - Museum of Fine Arts Houston, Houston, TX
2010	Antonio Berni — la mirada intensa - Fundacion Picasso - Museo Casa Natal, Málaga
	Berni: narrativas argentinas - Museo Nacional de Bellas Artes - MNBA, Buenos Aires

2009	Antonio Berni - Pesadilla de los injustos - Museo Nacional de Bellas Artes - MNBA, Buenos Aires
2005	Antonio Berni. Obra gráfica - MUNTREF - Museo de la Universidad Nacional de Tres de Febrero, Buenos Aires
	Antonio Berni - Presencias y Creencias - Fundación Federico Jorge Klemm, Buenos Aires
2004	Antonio Berni - Obras Graficas - Museo de Arte de Puerto Rico, Santurce
1999	Antonio Berni - Obras Surrealistas - Ruth Benzacar - Galeria de Arte, Buenos Aires
1977	Antonio Berni: paintings, drawings, etchings, collages - Galería Bonino, New York Urban center, NY

Fundación Alon, Buenos Aires, Argentina

MUNTREF - Museo de la Universidad Nacional de Tres de Febrero, Buenos Aires, Argentina

Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, Argentina

Museo de Arte Moderno de Buenos Aires (MAMBA), Buenos Aires, Argentina

Museo Maguncia del Papel, Grabado y la Estampa, Buenos Aires, Argentine republic

Museo Nacional de Bellas Artes (MNBA), Buenos Aires, Argentina

Museo de Arte Contemporáneo de Rosario (MACRo), Rosario, Argentina

Museo Municipal de Bellas Artes Juan B. Castagnino, Rosario, Argentina

Museo de Arte Moderno de Bogotá (MAMBO), Bogota, Colombia

Museo de Arte Moderno La Tertulia, Cali, Colombia

Museum of Latin American Art (MOLAA), Long Embankment, CA, U.s.

Museum of Modern Fine art (MoMA), New York City, NY, United states of america

MAAM Fundacion Museo de Arte Americano de Maldonado, San Fernando de Maldonado, Uruguay

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Source: https://www.sicardi.com/artists/antonio-berni/artists-artist-works

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